Wednesday, September 24, 2008
Wednesday, September 17, 2008
I'm not addicted to digital culture, Life goes on!
Just saw this!
Thanks to the digital age anyone with a pacemaker need only to call in to his doctor’s phone and the pacemaker “talks” to a computer and has the heart rate read. You can be in a third world country and call Duke University or Johns Hopkins or where ever and in seconds be recorded, tracked and diagnosed.
Digitalization has made the medical field a place straight from Sci-Fi. I think this very interesting.
Lydia
(Of course the spontaneity of being able to look up something that has absolutely no relevance to my life is also cool, and relevant to my paper.)
Tuesday, September 16, 2008
Falling behind or struggling to keep up
Lydia
Digitial Age is Nothing New...
Barry and I often discuss his life in television and it is amazing to think how things have changed in his lifetime. Barry made his TV debut in 1950. This was live television of course, monochrome on the comparatively low resolution of 405 horizontal lines. There was one station: “The BBC Television Service” broadcasting for a very few hours a day mainly to the affluent south of England. In 1950, the only way to preserve a broadcast was to make a telerecording of it. This involved pointing a camera at a monitor and recording the image shown and making an optical soundtrack. This further reduced the definition to about 270 lines. Although a little pre-WW2 output remains in the BBC archives (having launched their 405 monochrome service in 1936) with the exception of the 1948 Olympics, very little remains in the archive from 1945-1953.
As an actor, Barry found live television was especially nerve-wracking. The cameras were mainly pre-war Marconi’s, weighed several hundred pounds and were very difficult to move. The BBC’s studios at Alexandra Palace and Lime Grove were extremely small and there were frequent technical errors.
1953 was a landmark year in British Television. The coronation of a new Queen encouraged everyone to watch TV and take it seriously as a medium for the first time. As the UK emerged from post-war austerity, the television became the new thing to have. In the same year, VERA, (they love acronyms at the BBC, as we shall see) changed the way TV was made. Well, it nearly did. Video Electronic Recording Apparatus allowed, for the first time, a direct to video feed of a live broadcast for posterity and almost instant playback. However, the tape speed was measured in meters per seconds, if not set perfectly, the tape head would fly off threatening life and limb to all in the vicinity and the tape was so expensive, it soon became impractical for a television service requiring public subsidy. On the plus side, the BBC were able to obtain the old Ealing film studios and although still very expensive, location filming could now be achieved using 16mm film stock and inserted into live drama broadcasts, giving more time for actors and production crew to move between sets and so on.
The next big step was the miracle of the Helical Scan Video Machine which was introduced in the UK in 1957. By scanning fields at a diagonal angle, the amount of tape needed to record something was dramatically reduced, it also became easier to edit as more information (or data as it was then not known) was shared between frames. From the late 1950’s television drama began developing into something we recognize today. Less live performing, studio shots on video and location shots on 16mm. Though this became an issue in the color era, at this stage it did not matter. Camera technology allowed multi-camera set up’s to become more sophisticated and by 1960, live coverage of the Rome Olympics became possible. To truly see the marvel of the Helical Scan Video Machine in action one only has to see the differences between the two six-part serials produced and directed by Rudolph Cartier in 1955 and 1957. Quatermass II survives as telerecordings and has all the problems associated with early television. Numerous technical errors, badly timed cues for actors and the few filmed inserts are roughshod into the production. Just two years later, Quatermass And The Pit, (now it has been restored) looks as if it could have been made yesterday. No live performances, far superior direction and technical work and no actor fluffs.
1955 saw the birth of commercial television in the United Kingdom. Although not the purpose of this essay, with bigger budgets, television was able to be made entirely on film and had (for the time) truly groundbreaking qualities. If you don’t believe me I offer you “The Saint,” “The Avengers,” “Danger Man,” and “The Prisoner.”
After many years of pleading with the Government, Prime Minister, Harold Wilson, recognized the need for the BBC to lead the way in the UK in television technology and in 1963 commissioned BBC-2, rebranding the original BBC as BBC-1. But, there was a snag. BBC-2 was going to be high-definition…in the mid-sixties? Well, they did it and were able to do so using the existing cameras and equipment. The agreed standard was 625 line UHF as opposed to 405 line VHF (known as FM in the US.) Despite a power cut blacking out their opening night, the new high definition service became home to many music and arts programs, and just as today, there was a demand for sport in the new high resolution.
Although 405 line TV was accessible until 1985, 1969 was the date chosen by the Government for all broadcasters to switch to the 625 line format. But, before that happened, the world was going to become considerably brighter.
July 1967, Billie-Jean King was the Queen of Wimbledon and for the first time, the BBC was transmitting in color, Viewers of BBC-2 with a color television could watch Wimbledon in color and BBC-1 carried the same game in monochrome. It is sometimes asked why the BBC waited until 1967. Experiments with the American NTSC system had proved unsatisfactory (NTSC, to this day is known as Never Twice the Same Color) and as UK TV has higher definition than US TV (625 lines versus 525 lines) the problems were just compounded. Eventually, the BBC adopted the European PAL system, developed by Philips.
Barry Letts takes up the story: “When I directed the Doctor Who story, “The Enemy of the World” in 1967, it was monochrome and I was still using matte techniques I read about in the 1930’s. When BBC-1 announced the autumn schedule for 1969 would be in color, at least in prime-time, I quickly realized in my new job as Producer of Doctor Who, we could try effects which previously would have been too expensive to attempt.”
CSO (Color Separation Overlay) was the BBC’s name for chro-makey or as it is known today, the blue/green screen effect. Essentially, with CSO you can electronically key out a background and move the foreground information, (usually a person) and place them in another setting (usually a model) recorded by another camera. The actor(s) perform against a blue screen and floor and ceiling. Although time consuming to set up, the fact it can be done on video saves considerable money. For the first time, there was no need for expensive back projection using film, front axial projection on video was far easier to achieve using CSO as was the use of model monsters and huge creatures and so on. Of course, the technology was very primitive. Never did CSO look worse than when an attempt was made to mix video and film, (something the Quantel Console, did not really get to grips with until the mid eighties.) Many of the backgrounds were never quite to scale and the figures being CSO’d frequently had fringes around them which made them look incredibly cheap.
However, steady progress was made through the 1970’s and as portable video equipment became more commonplace, it was possible to film exteriors on videotape – combined with improvements in the CSO process. (It was discovered excessive noise and contrasting colors caused the fringing, for example.)
The next issue became one of film versus video. Until the early 1990’s it was still fairly common for exteriors to be filmed on 16mm film and interiors on video, The difference in the texture of the picture is very jarring. Film, although grainy, could pick up greater detail. Video was brighter, required different lighting as well as different make-up and was sensitive to certain bright colors. When programs were made on film, they were transmitted often straight from the telecine machine (which turned the film into an electronic signal) although the machines ran smoothly, the heads often became very clogged as a result, programs made in the early 1980’s entirely on film now look very work indeed. This, of course was a long time before the current fad to filmise video and vidfire film to make it look like video!
Similarly, hand held cameras have more or less destroyed the traditional TV camera set up. Digital technology now enables TV to be made on video in a similar way to film production. You can now film shot by shot instead of scene by scene or episode by episode.
Monday, September 15, 2008
Wandering Theme
Project Idea: the beginning
That idea didn’t go so well with me so I decided to coach her through it on the phone. Anyways the point is that she didn’t grow up with computers and so she’s not very enthusiastic about learning how to now. That’s when I got my idea for the paper. I want to compare the use of digital culture from where I was born and raised to where I’m at right now. I’m hoping to draw from experiences as to how I got from using a computer whenever I went to go visit my cousins ( which was every once in a blue moon) to going insane without my laptop for a weekend ( it’s sad but true).
Friday, September 12, 2008
recipes for tomato soup
OF COURSE! THE BLOG!
So, my first thought was this weird idea about how many things are described as "digital." Digital this, digital that, analog wha? How awesome are things that are digital? I don't have to put any effort at all to telling the time, how useful! Little digital things are embedded so far into our brains, we don't even think of them as digital. Digital clock or just clock?
That's how far I got on that train to nowhere, on to something new!
The sequel is much less interesting, because I was thinking about how things that are digital affect animals. This is just a sad stem from me paying attention to how my cat seriously enjoys chasing my mouse pointer across the screen and sleeping on my keyboard all night long in the seriously bright glow of the monitor. I know she can't type, or even spell.. or.. well, you know, anything human-- at all.
My third idea was my original idea when we first got the dish about what we needed to be thinking about.
My latest online purchase was this:
http://en.wikipedia.org/wiki/The_Medium_is_the_MassageCoincidentally, I stumbled upon (no really, I used the Firefox plug-in StumbleUpon) this book and decided to buy it because I really felt a connection with the subject and this course. What's so gripping about this book is that it was written so long before what I think of as modern technologies were even manufactured, but it completely captures the ideas and concepts behind a lot of the technologies that I use day to day. Right after I received the package in the mail through AMAZON.COM (internet!), I started to leaf through the book and I have to say, it's pretty entertaining. That evening at work I took a call from a woman from California who deals used cars and doesn't understand her phone bill about ordering some DISH Network service. After talking about the advantages of satellite television and shitting about some more about long distance charges, we started to talk about technology and how we viewed it as children. I'm not sure if she was completely sane or not, but she had a lot of ideas about "pre-inventions" of things we use day to day that have been realized. We talked BLUETOOTH, walkie-phones, moonboots; we mulled over vo-coders and sex toys that still were attached to electrical outlets vs. the growing market of really, really strange mechanical bull dildos on the market. Obviously, we got off the subject.
Now, I want to tie almost all of these ideas together to form something comprehensible. I think there's something underlying that I'm not seeing or grasping that I need to pull out of all of these ideas. I'm horrible at arranging ideas, but don't seem to have any shortage of useless things to find interesting in everything. See? I don't even know if that makes sense to anyone but myself.
I also littered this with links because I felt they might help deliver the meaning a bit more. Maybe I'm also in the fourth-dimension.
I made it!
The long and the short of it is. I'm grateful to all of you that gave me helpful hints. I do not fight technology. I'm just a little slow to absorb it.
Lydia
A Breathing By-Product
Even as I sit here to begin writing this, I have the computer next to me streaming videos of some of my favorite bands playing some of my favorite songs. I’m downloading several movies I never had the chance to see in theatre. I’m tabbed over from editing a picture in photoshop that I took while on vacation a few weeks ago. And I’m resisting the urge to log in to my online community under my pseudonym which people across the nation have called me by for nearly 5 years, Divo. In fact, I met my girlfriend in that online community, and it’s her computer I’m watching music videos on.
My first baby steps in to the digital community came when I waddled over the threshold of online gaming. The game was called Starcraft, and its release in 1998 would forever change the course of my life. Though that might sound a little drastic, I assure you it’s true. Before I discovered this game I had previously spent my time playing hockey, baseball, and even had a sponsor for my abilities on a skateboard. But this game…this game enraptured me and there was no escape. I played Starcraft for 4 years and have since played every expansion, offshoot, and version of it available. That was only the beginning though. I own hundreds of games; most of them with their own unique online communities.
As I said before, I met my girlfriend online. We’ve been together for 3 years now and I feel like she’s perfect for me. Meeting her online was a boon to the relationship. Sure we met one another through pixilated versions of our subconscious. Our first conversations were private messages over online chat. We were inseparable in a virtual world. We’re now inseparable in the great state of
I feel as though my life is stored on hard drives to be erased or appended to at whim. Strangely, this does not bother me. I leave my digital footprints all over the internet every day. Sitting down at my computer feels like opening my front door and greeting the world every day. But every time I open that door there are different people behind it. The uncertainty begets the addiction.
I knew at an early age that my contribution to digital culture would be a lifelong ordeal. I only hope that as technology advances I will adapt to it and utilize it as fully as I do at this very moment in time. We are in a time of rapidly changing communication, culture, and sense of self. It enthralls me to think about what I’ll be doing ten years from now in the online community that grows larger every day.
Thursday, September 11, 2008
GLBT Literature and Issues on the Net
Wednesday, September 10, 2008
Has the digital culture dumbed us down?
I wish to be a broadcaster. And I am not going to end up as the next Trevor Macdonald or Jim McKay by limiting the power of my vocabulary. A great command of the English language will make me stand out in a field filled with talking heads and ex-jocks who speak in sound bites and cliché.
Turn on any news or sport network and by and large the reporters look, sound and frequently act alike. I am not talking about going on camera as a clown and guffawing my way through terror attacks or the final of the Olympic 400 meters, but I am saying there is a better way of announcing, especially in the realm of sports broadcasting, which has been all but abandoned in America in favor of what the late Howard Cosell called the “jockocracy” of American sports broadcasting.
What transpired would turn Cosell in his grave. Sports presenting and analysis has become tabloid journalism punctuated by ex-athletes who clearly do not always make the best journalists.
However, the wheel will turn full circle and I believe there will be a time in the future when serious sports reporting and journalism, not driven by platitudes and sensationalism will once again be required in mainstream television and radio.I have become something of a mentor to the would-be announcers I have met at University and am frequently asked online by other would-be announcers for tips and advice.
Often they are questions which our book covered like: “How do you get into this field?” or “How do you prepare your research?” and of course “What is the pay like?”
When I write back or talk to these (usually teenage) people, I emphasize the importance of being able to describe a situation using correct and concise English. I try to advise them to become well read and develop a passion for words and their usage. You do not have to become a walking thesaurus but you do need the ability to pull the right word out of the hat, especially when under pressure.
For example, I have always loved Horse Racing, but at the age of thirty-two, if I am to become a full time Race Announcer upon leaving University, it will be my experience of using English in other dramatic forms and contexts that will form the backbone of my ability as a broadcaster. This, I believe will help me to stand out in a very competitive market.
As you may have guessed, this generation of American Sports Broadcasters does not impress me, although they have their entertaining moments. I seriously think many of them would lack the ability to put any kind of non sporting event into a global context – many of them struggle with that basic concept, truly embracing the Superbowl winners as “World Champions” of a sport which barely creates a blip on the sporting radar outside of North America.
Sports anchoring should not be rooted in how well you can read the list of sponsors, pontificate about Tiger Woods as the equivalent of the second coming of Christ and how proficient one can be at speaking in jargon filled jingoism. Similarly, sports analysis, should not be punctuated by “personalities” whose lack of ability to concisely explain what is going on is overcome by them saying things such as “Boom,” “Slam-a-roonie” or making excruciating puns about the names of the participants.
If a major news event was to occur at a sporting event, who would best be able to cover it…Jim McKay (if he were still alive and active in the business) or Chris Berman? There are a few exceptions, Al Michaels proved his journalistic mettle outside the sports arena at the San Francisco earthquake, and I feel Brent Musberger would be ok as well. But they are all older guys nearing the end of their active careers.
Maybe I will be the victim of my own advice as I do not claim to be the greatest broadcaster in the world, but I do feel I am doing the industry a service by encouraging would be announcers to look beyond the announcing booth of their favorite sports and become part of the world of words and literature that surrounds them. They can then return to the booth, wiser and one day, it may pay off.
One day I will be able to use the skills I learned through ha study of an English language and maybe inspire somebody and follow in the footsteps of great wordsmiths and not over-hyped personalities. The same comparison could also apply to me in changing from a Communications Major to an English Major.
A final thought: Jim McKay passed on this past summer. I was part of a small tribute to him shown in the Minnesota area. God, I feel old, chances are a lot of you will have no idea of whom I am speaking of... Nearly fifty years of sports broadcasting, yet his most famous words referred to a non sporting incident which will haunt many people forever and illustrates why every would be sports reporter needs to know more than how to announce a sport:
“When I was a kid, my father used to say out greatest hopes and our worse fears are seldom realized. Our worse fears have been realized tonight. They’ve now said there were eleven hostages. Two were killed in their rooms, this mor…yesterday morning. Nine were killed at the airport tonight. They’re all gone.”
Project One Ideas
Project 1 Ideas
Tuesday, September 9, 2008
Thoughts About Project 1
I too, have been contemplating what to write about for this first project. I’ve finally settled on the idea of on the ways we depend on technology in today’s society. I had a horrifying experience about 9 years ago that single-handedly defined major aspects of my life – specifically the ways in which I relate to others, not to mention how I felt about myself for a very, very long time. The technology impacted the entire series of events because I relied on an object to get me out of a situation instead of my own “know-how”. On-the-other-hand, had I been in the same situation a few months later, everyone I knew would have had cell phones instead of super lame pagers. Having a cell phone would have definitely changed how everything developed because I could have left an actual message to ask for help, instead of some random phone number with “911” after it.
It seems as if today we view our cell phones, Sidekicks, laptops, and other endless hand-held devices as if they are part of us. I know I feel extremely anxious if I don’t have my cell phone with me at all times. Is this healthy? Cell phones are awesome, but do they seriously have to be answered in class, or in the movie theater, or in church? C’mon now, that’s just ridiculous! Aside from people annoying me with their cell phone etiquette, or lack there of, I have also noticed that my memory is crap these days…maybe that’s because I don’t have to remember anything - I have an organizer to remember everything for me! Is the issue that we can't help but to take everything to an extreme or are we just too lazy to do anything for ourselves?
Repeat of Below Titles
I guess that would make Dr. J.P. and her bar friends a bunch of nudists, eh? I guess it's something you have to become comfortable with over time. I once read something by an author in a book about creative writing who stated that she would lie awake in terror at night that someone might break in and read her partially created story if she left it out on the typewriter. I can relate to that.
In any case.
I guess I'm pretty involved in the "digital culture." I'm part of a group brought together by the Wheel of Time series by the late Robert Jordan. They're novels of the Fantasy genre, which I never would have read but my husband convinced me they were worth a try, despite my loathing of Fantasy. He was right, they were very good.
When I joined the site, I had just moved to this part of the state from Concord University. I hated the school, but a I had a lot of friends there, so the move hit me pretty hard. Forum posting and chat (the site has an IRC webchat) kept my social meter up (you'll get that if you've ever played the Sims.) I didn't really know anyone here, I wasn't in school yet, and I couldn't work since I didn't have my greencard. I was pretty lonely, and the site I joined kept me from falling into depression. I've since grown to really care about these people; a few I've met in person and I plan to meet many more in October.
Anyway, here's the link if you're interested: http://www.tarvalon.net/news.asp
project 1 ideas
Project #1
Project 1 Thoughts
Ideas for Project 1
I think one of the issues I want to discuss it how technology was introduced to me back in the day. And, how hard it was to accept the changes, even today I struggle with keeping up to date with all there is out there. For example, this is the very first time I have ever been on a blog chat. How bazaar is that.
Suggestions are welcomed. Lisa.
Monday, September 8, 2008
thoughts for project 1
This is where i am as of now and within the next few days I plan to have gathered my thoughts and started my paper :)
Wednesday, September 3, 2008
But if I tell you how I do it...

Weclome
This is of course our second blog, the first one decided that we were spammers and not to be trusted....that is definately a topic for conversation in class!
Here you will post your blogging inventions, that is some pre-writing for your projects. How you pre-write is up to you, but you will need to post it here. See the directions for posting located on the side bar. You have all been invited to be participates in thus blog so you will be able to post and comment. You will be expected not only to post invention writing for your projects, but also comment on your classmates inventions. This is the place to work out your projects so while you must post once per project, you can also post as much as you like (granted the postings are about class and project topics!
Have fun!